Alan Ewing began his working life much in demand by the world of Renaissance and Baroque Music with concerts for Sir Roger Norrington, Philip Pickett, Andrew Parrott, Paul McCreesh, Marc Minkowski and Les Musiciens du Louvre, and William Christie and Les Arts Florissants. Other conductors for whom he has worked subsequently include Sir Colin Davis, Steuart Bedford, Richard Hickox, Christian Curnyn, Jean-Claude Malgoire and Sir Antonio Pappano.

Alan Ewing has sung for the Royal Opera, Covent Garden, ENO, WNO, Netherlands Opera, Berlin Staatsoper, Zurich, Karlsruhe, Strasbourg, Opera National de Lorraine Nancy, Lille, Nantes, Opera Colorado and at the Festivals of Salzburg, Lucerne, Aldeburgh, Maggio Musicale and New Zealand in a wide repertoire including Osmin, Sarastro, Ochs, Bartok’s Bluebeard, Rocco, Ferrando IL TROVATORE, Sparafucile, Leporello, Kutuzov WAR AND PEACE, Fafner, Polyphemus ACIS AND GALATAEA and the title role in SWEENEY TODD.

Recent engagements included Cardinal KING ROGER at the Royal Opera House, Covent Garden,  Gremin EUGENE ONEGIN at Grange Park and Claudio AGRIPPINA for Irish Youth Opera in Dublin and in 2016, Lady Bracknell in Gerald Barry’s THE IMPORTANCE OF BEING EARNEST at the Barbican and the Rose Theatre New York for the Royal Opera, POWDER HER FACE at the Arriaga Theatre, Bilbao, Bottom A MIDSUMMER NIGHT’S DREAM at the Performing Arts Centre, Hyogo and Caretaker 2,  Policeman 3, Gentleman 5, Respectable Lady’s Son 1 and Kovalyov’s acquaintance 3 in the new production of THE NOSE for the Royal Opera and Hunding in the new production of DIE WALKÜRE for Grange Park Opera,

Engagements in the 2017/18 season include 2nd Soldier SALOME for Royal Opera House, Covent Garden, THE NOSE for Komische Oper, Berlin and concerts including a debut for the BBC Symphony Orchestra.